Saturday, 26 November 2011

Things database marketers can learn from farming

I grew up on a farm in the North-West of Victoria, Australia, the Wimmera to be exact, in what was traditionally great wheat growing country. Wide flat open spaces, with mostly good soil, warm summers and mostly just enough rain, all perfect for large scale cropping. 

It occurred to me a little while back that there were many parallels between the custodial nature of looking after the productive soil of a farm and looking after the productive relationships contained within a marketing database, here then, are some useful (I hope!) allegories between good farm and database management.

Divide your database into paddocks
This is a rule that farmers learnt aeons ago but one that many marketers, particularly arts marketers are yet to learn. Take a large thing and break it down into manageable chunks. It means you can do different things with your smaller chunks, grow different crops or build different relationships. Its all about risk management, a farmer that plants the same crop on his entire farm will be ruined if that one crop fails to work, as might your campaign if you go out to your entire database with a single message or product. Just as a farmer may exercise some judgement in how he positions his paddock so too must a database marketer think about how to divide up their database, recency, frequency, demographics, geographic, drive-time, genre preferences (for the arts) are all metrics you may employ.

Not all paddocks are the same
We had a pretty good farm, not much rubbish dirt, however different paddocks did have different characteristics and needed to be managed individually. One paddock was the star, all good black soil, high yielding. One paddock was the poor cousin, too much red dirt. One paddock was good but undulating so it would have have boggy areas that didn't yield or dry out at the same rate as other parts of the paddock. 

This is true for your database paddocks too, your fringe theatre paddock, won't necessarily be as big, high yielding  or early buying  as your musical theatre paddock. Like a good farmer, get to know your paddocks and adjust your plans accordingly.

Rotate your crops
Anyone who knows anything about growing their own vegetables knows this one, if you keep planting the same crop on the same dirt, year after year, the soil will get tired and produce a lower yield. Sometimes farmers will leave a paddock to stubble for a whole year and just run sheep on it, more recently farmers learnt that some crops return to the soil what others take out, so you swap wheat, for chickpeas, then a rest it for a year your yield for each gets higher. 

Obviously you should not over work your own database paddocks either, choose to give some a rest from time to time, trying cropping it in different ways, an email here, a snail mail letter there, an early discount one time, a competition the other, these are all ways to mix things up.

Don’t over crop the one paddock
If you have a star paddock resist the urge to over crop it, even your champion sire bull will eventually get less enthusiastic if asked to service too many heifers, and he's got the best job on the farm!

Tend to your paddocks 
Farmers fertilise, give paddocks a rest, attack weeds, adopt direct drilling to reduce the amount of tilling and encourage natural compost. All of these activities are about maintaining a healthy soil. You need to do the same thing with your database, run a program to get people to sign up every so often, survey it, reward loyalty, give it a rest, all of these activities help to tend your soil.

Do your maintenance – mend fences so the sheep don’t escape.
Good fences are almost always a sign of good farmers, and bad fences are a sure sign of a bad one. It's universal. Good database marketers also need to tend to their fences. Is the data tidy, correct addresses, no duplicates, no spelling errors, links to privacy statements present and are unsubscribes are being honoured? Tend to your fences, otherwise your sheep will escape too!

Sow a test crop
We had a little paddock that we could use to test new ideas, a new variety of grain, a new technique, obviously if we tried it on one of our big paddocks and it didn't work the risk was great, but trialling at small scale one year and implementing in full the next year if it worked just makes good sense. Do the same with your database, send a test message to a small number and if it works go out in full afterwards.

Talk to your neighbours – what are they doing?
Whether it be at the pub, football or stopped on a roadside somewhere, farmers are demons for shop talk, "How many bags an acre did you get on your top paddock?", "How much raid did you get?", "How did you go with barlery this year, you haven't grown that for a while right?".

There is two reasons why this is good firstly, if your neighbours soil loves chick peas, you might want to plant chick peas next year too. By sharing new ideas, success and failures we all achieve more. Also sometimes what happens on your neighbours farm affects you, I mean there's no point trying to get organic certified, if you neighbour does his own crop dusting and is VERY liberal with his application of weed killer.

As database marketers our message is not the only one hitting our patrons, by talking to your metaphorical neighbours you may find out when they might also be talking to some of your people and you can account for that in your tactics. You'll also learn from their successes and failures.

Measure results and react accordingly
Farmers LOVE talking about yield rate, in my time, all the old blokes still talked bags to an acre, why? Because its all about measuring what worked, what didn't and adjusting your plans for next year. As marketers if we don't measure results we are doomed to repeat our failures.

So if you aren't getting the best out of your database, take a leaf form my book and go and have a yarn with a farmer. You could do a lot worse! 

Thursday, 17 November 2011

Micro Marketing for artists

It's been a little while since my last blog so I thought I'd put forward some tips that have been percolating since I started working with independent artists nine years ago. SO if you are an independant artists here's a quick "How to market your self-produced show with very little money".

  1. Take at least one really good interesting photo.
    This is the single most important tip. Find the most talented photographer in your network, beg them to do this for free (well an image credit and some beers!) and take the time to come up with, at the very least, one good, interesting photo that represents what you stand for artistically. And don't theme it to your current show otherwise you can't re-use it. Once you have this, you have an image that can be used in conjunction with a media release, you have the basis of a simple poster, you have a picture that can be used online in a variety of purposes. And you can re-use it over and over again (well for three years. DO NOT use it for longer than three years!).
  2. You have no money but do you have time?
    If you have time you can move mountains... for free! With time you can do the social networking thing (see upcoming tip), with time you can do the PR 101 thing (see upcoming tip), but time can also allow you to do other things too - are you hiring a professional venue? make the time to go there and ask what marketing support they can give you, does your play have a special theme - ie Green Grocers, with time you can make a list of green grocers and invite them to your show, if they'll display a poster or spruik it in their emails. If you don't have time, is there someone who does have it - a uni student friend studying marketing? A semi-retired relative that you respect? How ever you find it, look for time.
  3. Never put 100% of your available funds into the show, always keep something, however little for marketing. Not much need to explain here other than if you can't do this, then maybe you shouldn't do the show.
  4. Really Basic PR
    Write a press release - find examples online and copy them. Spend an afternoon researching your target journalists eg: music journos based in Melbourne, google or ring for their contact details, then send them the press release and your photo. The next day follow up via phone and ask if they'll cover your gig. Look for free gig guides, send your show details to them, but not just the media release do a cut down listing version that apes their format and again follow up and invite them. Gig Guide and What's On list compilers are the forgotten journos, a free CD or gig invite will be very well received. Can you do give aways? Again look for who publishes give aways, ring them up and offer some tickets. This all takes time, see above!
  5. Leverage your offline networks
    Engage all your family, friends and colleagues, make them buy tickets, get them excited, ask them to spread the word. Network, get out and about in your field go to other people's openings, build a support network for your artistic output.
  6. Get serious about social
    Don't just talk about the gig on your personal facebook page, make up a proper artist's one (find one you like and copy what they did!), make up events, invite people, post interesting info from your rehearsals, local radio interviews etc. With Twitter get an account, get onto it, search for those who are influential in your field and follow them, re-tweet them, engage with them, hopefully they'll follow you and re-tweet the cool bits you are saying about rehearsals. If you have lots of cool stuff to share, film it, put it on your own you tube channel, start a blog, both of these will help get you noticed and in a credible way. all of this is free it just, takes, time and effort!
  7. Start your databases
    At your gigs ask people to give you their emails, like you on facebook and follow you on Twitter, get enough of these people and you'll never have to take our a newspaper ad again.
  8. Things that don't cost muchFind the most talented graphic designer (amateur or otherwise) and get them to do artwork for you for free tickets - can't find one, contact local uni's and TAFE's for students who are looking for real world assignments, then for a tiny outlay you can make up a few dozen posters, take these around to wherever your kind of audience may hang out and offer free tickets to the shop keeper (or whoever) to display them.

    Have a little more money? Do the same with postcards as well. Facebook ads are easy to learn, set-up and can cost very little, you can speak to the type of people you are looking for in the town they live in. Google adwords the same. But beware the online ad world changes fast so always search for the latest info about best practice.
  9. Become a student of marketing
    Its all around you, TV ads, newspapers, in your phone, soak it in, question someone has done something and how might you apply that in marketing your own show. Talk to professional marketers pick their brains.
  10. A cheap printing tip.
    B&W is cheap, full colour less so, B & W (mono) with one spot colour falls in the middle somewhere. A larger poster or flyer run can be cost effective but still very attention grabbing when you say, go mono with a red spot colour, with good design, the eye will perceive black, white, red, grey and pink all in several shades. Impact wise you'll punch above your weight for less cost.The marketing world is full of tiny tid bits like this that add up to cheap marketing - can your poster also be a flyer? Can your poster also be the design for your email?
  11. What NOT to do.
    Do not do a small single ad in the newspaper because that's all you can afford. ONLY advertise in mass media if you can afford to do it more than once or twice and at a reasonable size.

    Do not put all your eggs into a single marketing activity, diversify your efforts into at least three or four mediums/activities it will spread the risk if one doesn't work. But don't spread yourself too thin, pick a few things and do them well.|

    Don't give away your soul for contra, sometimes you get a better result by simply paying money, getting tiny disocunt on a stress press ad in exchange for more tickets than the discount is worth ain't worth doing. Only contra-up with people who you feel are out for a genuine win-win.
I think that's about it for tonight if you are a self producing artist please have a read take a few of these ideas away with you.